My research program is aimed at achieving a better understanding of the situated rhetorical practices by which political and organizational players influence the interactions in which they take part. I study the constitutive role of language in different types of interactions and situations, such as spontaneous face-to-face interactions in the workplace, formal deliberation among citizens involved in public consultation hearings, or inter-organizational collaboration between stakeholders with divergent and often competing interests, backgrounds, and discourses. Thus, my research documents the many different ways in which rhetoric partakes in the establishment/perpetuation of relatively long-lasting social, material and political structures, such as a public sphere (Benoit-Barné, 2006, 2007), a technology (Benoit-Barné, 2007) or a relationship of authority (Benoit-Barné & Cooren, 2010).

I am particularly interested in three questions:

• the ways in which contemporary political actors debate controversies, in particular but not exclusively as part of arguments concerning science and technology;
• the role of objects in interactions, and the way in which players organize themselves and advance discussions through association with objects;
• how political and organizational players manage the tensions between the ideals driving them and the practical requirements of their activities.

My research interests are fueled by questions concerning the ways in which practices, discourses and cultural dispositifs (apparatuses), in their articulations to the different forms in which power is exercised, contribute to produce what prevails as if it could be taken for granted. Popular music is a fertile field for exploring these questions, given its strategic role in the shaping of identities and belongings, and the mediation of public culture, particularly in Québec. This has led me to study the valorization of top-selling products, music-related industries and policies, and the effectivity of fame/celebrity.

I am currently working on two main projects. The first one concerns small venues in Montréal. I study regimes of circulation, mainly those that orient and reconfigure "live music."   The second project deals with a music contest for people aged 65 and over. I analyze the relationships between media, memory and mobility, focusing particularly on various forms of "successful ageing" and "ageing well."

I joined the department in 2017, after eleven years as a professor of international relations and American studies at the University of Ottawa's School of Political Studies. I'm happy to see my interdisciplinary inclinations find new ground via communication and media studies and to have been able to start a new chapter teaching international communication, political and media communication and popular culture, with a focus on war, infrastructure, mobility, power and media. I'm also in charge of the faculty's graduate programs in international studies, where I teach a course on the historical and contemporary role and place of the United States in the world, or the compulsory course on contemporary issues and debates in international studies.

Through communication, we are, consciously or unconsciously, in touch with the world, and I'm particularly interested in our relationship with digital governance - and by extension, digital media. I therefore pay particular attention to communication infrastructures, which leads me to study data and the new forms of control that the surveillance society puts into action in the digital age. As digital media, algorithms then become a favorite subject to better grasp both the media infrastructures of communication they embody and what they make possible as media technologies governing subjects and controlling spaces.

My current work focuses on technologies for controlling mobilities (circulation of people, capital, goods and digital data) involved in managing security risks in the digital context of Big Data, particularly with regard to borders, surveillance and governance. Thus, my research and teaching in international and political communication focus on the role of socio-technical infrastructures, power dynamics, actors, digital platforms, algorithms, artificial intelligence and the political mechanisms and modalities mobilized by contemporary forms of war, security and policing in the North American context. Finally, I maintain a constant research watch on the United States' preparation for war, with all that this implies in terms of the power of imagination, security and socio-technical imaginaries, innovation and research practices for the future of warfare, and the identity-related weight of cutting-edge technology for the American national security state apparatus.

More broadly, my research is divided into three strands: 1) the surveillance of mobility and algorithmic security, war (and its issues of disinformation and information) and the technopolitical infrastructures governing North American border spaces; 2) the relationship between war and society, the militarization of everyday life and the culture of the national security state in the United States; and 3) popular culture and American media cultures, with a focus on war and surveillance on the small and big screens.

In communications and international studies, I am well served by my interdisciplinary openness and indisciplinary perspective, which draws on the fields of international relations, geography and political anthropology, international political sociology, American studies, security studies and science, technology and society studies.

At the Université de Montréal, I divide my research time between the Centre d'études et de recherches internationales (CÉRIUM), the Laboratoire Culture populaire, connaissance et critique (CPCC), the Laboratoire de recherche sur la technologie, l'activisme et la sécurité (LarTAS) and the Centre international de criminologie comparée (CICC). I am also a research associate at the Observatoire international sur les impacts sociétaux de l'intelligence artificielle et du numérique (OBVIA) and a research associate at UQAM's Canada Research Chair on the Secure Governance of Bodies, Mobility and Borders (GSCMF).

I specialize in moving images, and my research creates a dialogue between the analysis of how identity differences are represented (sex/gender, sexuality, race and class) and transnational means of audiovisual production, diffusion and reception. For many years now, I have been contributing to feminist studies of moving images, with a specific interest in genre cinema (costume film and film noir) and screen violence. I am also interested in practices for audiovisual representation and self-representation of lesbian, gay, bisexual, transgender and queer individuals in Anglo-American and Francophone contexts. Finally, in a new project relating to the field of globalization and communication, I am studying a transnational network of Burmese journalists contributing to the democratization of Burma.