I joined the department in 2017, after spending eleven years as a professor in the School of Political Studies at the University of Ottawa. I am happy to have found a new terrain in communication and media studies and to have started a new chapter teaching international communication, media studies, political communication, and popular culture at Université de Montréal.

I am first and foremost fascinated by the relationship between culture, science, media, technology and society, power/knowledge, militarization, and war and security in the US context and in the geopolitical frame set by globalization. My current work brings me to consider issues dealing with the security/mobility nexus and the redefinition of citizenship in the digital age, notably as it relates to borders, surveillance, and governance. 

Through communication, we are, consciously or unconsciously in relation with the world. I am heavily interested in our relationship with digital governance – and by extension, to digital media. I thus pay a particular attention to communication infrastructures in security governance, which leads me to study new forms of surveillance in the surveillance society enacted by the digital. As digital media and new media, algorithms are a privileged topic to capture the media infrastructures for the communications they  embody as well as to what they make possible for media technologies governing subjects and controlling spaces.

My current research coalesces around the forms of surveillance three main areas of inquiry: 1) the surveillance of mobilities, algorithmic security, and techno political infrastructures governing North American borderlands; 2) the militarization of everyday life, the surveillance society, and the culture of  the US national security state; 3) US popular and media cultures, with an emphasis on war and surveillance on the small and big screen and another on comedy, infotainment media, and televisual satire.

In my research, I both mobilize communication and media studies, notably popular culture, cultural industries and cultural studies scholarship, as well as issues of mobility and surveillance, with a reflection that addresses power manifestations in communication and the effects of communications. As international communication, media cultures, political communication, popular culture, cultural studies, and new media studies constitute my main research expertise in media studies and communication, my work is well served by my interdisciplinary bent and undisciplined perspective that draws upon the fields of international relations, international political sociology, political geography, political anthropology, American studies, security studies, and science and technology studies.

At Université de Montréal, I share my research time between the Laboratory on Popular Culture, Knowledge, and Critique (CPCC), the International Center on Comparative Criminology (CICC), and the Montreal Center for International Studies (CERIUM). 

I specialize in moving images, and my research creates a dialogue between the analysis of how identity differences are represented (sex/gender, sexuality, race and class) and transnational means of audiovisual production, diffusion and reception. For many years now, I have been contributing to feminist studies of moving images, with a specific interest in genre cinema (costume film and film noir) and screen violence. I am also interested in practices for audiovisual representation and self-representation of lesbian, gay, bisexual, transgender and queer individuals in Anglo-American and Francophone contexts. Finally, in a new project relating to the field of globalization and communication, I am studying a transnational network of Burmese journalists contributing to the democratization of Burma.