Aleksandra Kaminska
- Professeure agrégée
-
Faculté des arts et des sciences - Département de communication
Marie-Victorin office B-417
Web : Autre site web
Web : Autre site web
Web : Autre site web
Affiliations
- Codirectrice – Artefact lab
- Membre – Réseau Hexagram
Education Programs
- Communication Information and Communication Technologies
- Communication Information and Communication Technologies
- Communication Information and Communication Technologies
- Communication Economics and Politics Information and Communication Technologies
- Communication
- Communication Information and Communication Technologies Arts and Music
- Communication Economics and Politics
- Communication Information and Communication Technologies
Courses
- COM1600 Introduction aux études médiatiques
- COM2660 Arts médiatiques, technologies et communication
- COM6715 Bricoler les médias
- COM6841 Séminaire thématique B
- COM72501 Forum doctoral 1
- COM72502 Forum doctoral 2
Areas of Expertise
- Media Studies
- Materialites and infrastructures
- Media arts
- Maker cultures
- Digital technologies
- Digital culture
- Media history
- Media theory
- Aesthetics of communication
- Research-creation
I'm an Associate Professor in media studies, media arts, and research-creation. I work primarily at the intersection of media aesthetics, material and visual cultures, and history and philosophy of science and technology. I’m particularly interested in my current research in print and paper histories, technologies, and practices.
I’m currently working on a book called High-Tech Paper: Security Printing and the Aesthetics of Trust, a historical and theoretical study of security printing and document aesthetics that investigates the material protocols of identification, authentication, and recognition.
I’m also co-directing a collaborative project on sleep. The Sociability of Sleep is an interdisciplinary research-creation project exploring the epistemologies and equities of sleep. We are interested in both the everyday and the exceptional experiences of sleep and its disturbances. Our approach is rooted in art-science experimentation, collaboration, prototyping, and various forms of “critical making” that integrate and engage with qualitative or quantitative research data. We aim for interventions into sleep in art, design, media, and performance to generate novel sleep situations that can enrich knowledge, understanding, and normative treatment of sleep conditions, as well as the collective care of all sleepers.