I specialize in mass media and new and emerging technologies, and my research interests focuses on exploring how technologies and people co-evolve in vast hybrid networks. My research and publications deal with “mobile culture” in everyday life, the cascade effect and the interrelations between technologies and new communication rituals and interactions. My other research interests include formative and summative research for youth and media, broadcasting policies, and the political and cultural appropriation of media. 

I am interested in the influence of traditional media like television from the viewpoint of their convergence with interactive platforms like the Internet and social networks. I am studying how these means of communication can be profitably used for social campaigns designed to promote health or political involvement. I recommend an approach derived from dual theories (communication and other social sciences) and based on methodological diversity (both quantitative and qualitative). I am also examining cultural differences in the way young adults appropriate communication technologies.

I joined the department in 2017, after eleven years as a professor of international relations and American studies at the University of Ottawa's School of Political Studies. I'm happy to see my interdisciplinary inclinations find new ground via communication and media studies and to have been able to start a new chapter teaching international communication, political and media communication and popular culture, with a focus on war, infrastructure, mobility, power and media. I'm also in charge of the faculty's graduate programs in international studies, where I teach a course on the historical and contemporary role and place of the United States in the world, or the compulsory course on contemporary issues and debates in international studies.

Through communication, we are, consciously or unconsciously, in touch with the world, and I'm particularly interested in our relationship with digital governance - and by extension, digital media. I therefore pay particular attention to communication infrastructures, which leads me to study data and the new forms of control that the surveillance society puts into action in the digital age. As digital media, algorithms then become a favorite subject to better grasp both the media infrastructures of communication they embody and what they make possible as media technologies governing subjects and controlling spaces.

My current work focuses on technologies for controlling mobilities (circulation of people, capital, goods and digital data) involved in managing security risks in the digital context of Big Data, particularly with regard to borders, surveillance and governance. Thus, my research and teaching in international and political communication focus on the role of socio-technical infrastructures, power dynamics, actors, digital platforms, algorithms, artificial intelligence and the political mechanisms and modalities mobilized by contemporary forms of war, security and policing in the North American context. Finally, I maintain a constant research watch on the United States' preparation for war, with all that this implies in terms of the power of imagination, security and socio-technical imaginaries, innovation and research practices for the future of warfare, and the identity-related weight of cutting-edge technology for the American national security state apparatus.

More broadly, my research is divided into three strands: 1) the surveillance of mobility and algorithmic security, war (and its issues of disinformation and information) and the technopolitical infrastructures governing North American border spaces; 2) the relationship between war and society, the militarization of everyday life and the culture of the national security state in the United States; and 3) popular culture and American media cultures, with a focus on war and surveillance on the small and big screens.

In communications and international studies, I am well served by my interdisciplinary openness and indisciplinary perspective, which draws on the fields of international relations, geography and political anthropology, international political sociology, American studies, security studies and science, technology and society studies.

At the Université de Montréal, I divide my research time between the Centre d'études et de recherches internationales (CÉRIUM), the Laboratoire Culture populaire, connaissance et critique (CPCC), the Laboratoire de recherche sur la technologie, l'activisme et la sécurité (LarTAS) and the Centre international de criminologie comparée (CICC). I am also a research associate at the Observatoire international sur les impacts sociétaux de l'intelligence artificielle et du numérique (OBVIA) and a research associate at UQAM's Canada Research Chair on the Secure Governance of Bodies, Mobility and Borders (GSCMF).

I'm an Associate Professor in media studies, media arts, and research-creation. I work primarily at the intersection of media aesthetics, material and visual cultures, and history and philosophy of science and technology. I’m particularly interested in my current research in print and paper histories, technologies, and practices.

I’m currently working on a book called High-Tech Paper: Security Printing and the Aesthetics of Trust, a historical and theoretical study of security printing and document aesthetics that investigates the material protocols of identification, authentication, and recognition.

I’m also co-directing a collaborative project on sleep. The Sociability of Sleep is an interdisciplinary research-creation project exploring the epistemologies and equities of sleep. We are interested in both the everyday and the exceptional experiences of sleep and its disturbances. Our approach is rooted in art-science experimentation, collaboration, prototyping, and various forms of “critical making” that integrate and engage with qualitative or quantitative research data. We aim for interventions into sleep in art, design, media, and performance to generate novel sleep situations that can enrich knowledge, understanding, and normative treatment of sleep conditions, as well as the collective care of all sleepers.

My research has concerned or concerns the economics of cultural industries, statistics in the fields of culture and communication, successful cultural products like best-sellers, media history, sound recording, television programming, and advertising. I regularly collaborate with the Observatoire de la culture et des communications du Québec.