My research program is aimed at achieving a better understanding of the situated rhetorical practices by which political and organizational players influence the interactions in which they take part. I study the constitutive role of language in different types of interactions and situations, such as spontaneous face-to-face interactions in the workplace, formal deliberation among citizens involved in public consultation hearings, or inter-organizational collaboration between stakeholders with divergent and often competing interests, backgrounds, and discourses. Thus, my research documents the many different ways in which rhetoric partakes in the establishment/perpetuation of relatively long-lasting social, material and political structures, such as a public sphere (Benoit-Barné, 2006, 2007), a technology (Benoit-Barné, 2007) or a relationship of authority (Benoit-Barné & Cooren, 2010).

I am particularly interested in three questions:

• the ways in which contemporary political actors debate controversies, in particular but not exclusively as part of arguments concerning science and technology;
• the role of objects in interactions, and the way in which players organize themselves and advance discussions through association with objects;
• how political and organizational players manage the tensions between the ideals driving them and the practical requirements of their activities.

My interdisciplinary research-creation lies at the intersection of (new) media and participatory performance. For more than a decade, my work has focused on developing a sensory methodology to foster dialogue about issues of biodiversity in so-called public spaces. I am concerned with site-specificity and the live events I create often extend place-based encounters through mobile media, online interactive maps and other digital media. I am particularly interested in hybrid perceptions of embodiment resulting from sensing across physical and virtual registers. In recent publications, I have investigated immersive and participatory art forms in combination with sensory methods such as eating and walking as modes of public engagement. In my current research, I examine the notions of "embodied illusions" and "sensations of presence" that are often invoked in relation to virtual reality experiences.